{"id":15400,"date":"2021-02-02T16:12:34","date_gmt":"2021-02-02T15:12:34","guid":{"rendered":"https:\/\/www.g4f-records.com\/?p=15400"},"modified":"2021-02-02T16:13:51","modified_gmt":"2021-02-02T15:13:51","slug":"interview-h-pi-werewolf-the-apocalypse","status":"publish","type":"post","link":"https:\/\/www.g4f-records.com\/en\/interview-h-pi-werewolf-the-apocalypse-15400\/","title":{"rendered":"Werewolf: The Apocalypse &#8211; Earthblood \/ H-Pi Interview"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" style=\"font-size:25px\">We asked H-Pi a few questions to find out more about his work composing the soundtrack to Werewolf: The Apocalypse &#8211; Earthblood. Let&#8217;s Rock!<\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1-1024x576.png\" alt=\"ITW H-Pi\" class=\"wp-image-15539\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1-1024x576.png 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1-600x338.png 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1-300x169.png 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1-1536x864.png 1536w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/H-Pi-1.png 1920w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>Metal music recording by H-Pi in his studio.<\/figcaption><\/figure><\/div>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601244044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/werewolftheapocalypse.bandcamp.com\/album\/werewolf-the-apocalypse-earthblood\">Werewolf: The Apocalypse &#8211; Earthblood by H-Pi<\/a><\/iframe>\n\n\n\n<p><\/p>\n\n\n\n<p style=\"font-size:22px\"><strong>Werewolf: The Apocalypse \u2013 Earthblood depicts an extremely dark universe. What were your first musical goals and how did you decided to approach this new universe?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">When I met the team, the overarching idea was to depict a pre-apocalyptic universe situated in the relatively near future. We had to avoid falling into the trap of being too futuristic, or too fantastical. We wanted to do something that was modern, but with the underlying feeling that there\u2019s something rotten at the core. We decided to split the style of the OST in to 3 main parts. There are tracks with tribal and mystical influences, which symbolize the strong connection with nature and Gaia. Then there are more electronic tracks, for the infiltration phases, interactions with the human world, in the Endron facilities. And finally, there are some fairly up-tempo metal tracks (hardcore, neo, deathcore, etc.) to highlight the joyful glee of succumbing to the rage of the Crinos form. The entire soundtrack is sprinkled with influences from mutant and superhero movies.<\/p>\n\n\n\n<p style=\"font-size:17px\">I also wanted to add something original to each of these worlds. As I played, I messed around with some of the instruments myself for the tribal part (low D whistle, didgeridoo, dulcimer, etc.). I mainly used a hardware synth from a small French company called \u201cAudiothingies\u201d for the electro section. For the metal tracks, I wanted something along the lines of Alien Weaponry (to tie in with the title screen). The guitars are recorded without any amp simulators or IR. It\u2019s totally raw and wild! There were just 2 microphones set in front of a tube amp, which passed the sound along into analog preamps. It\u2019s a pretty esoteric way to keep the sound organic, but it\u2019s a great match to the universe of the game!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-1024x576.jpg\" alt=\"The Forest Caern\" class=\"wp-image-15544\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-1024x576.jpg 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-600x338.jpg 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-300x169.jpg 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-1536x864.jpg 1536w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/The-Forest-Caern-2-jpg.webp 2048w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>Werewolf: The Apocalypse &#8211; Earthblood &#8211; The Forest Caern<\/figcaption><\/figure><\/div>\n\n\n\n<p style=\"font-size:22px\"><strong>The soundtrack features a metal style that\u2019s one of your favorite genres. How did you incorporate this musical style into the game\u2019s universe? Are there different layers of sound depending on the character being played (human, wolf, werewolf)?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">Oh yes, I love metal. I\u2019ve played live with a number of bands, but rarely for video games. Here, I knew we\u2019d be using AW for the title screen, and I also knew that a big part of the team liked the style. So I knew I could really go for it. With the prototype, we saw that it worked great for the fight scenes. With riffs that are catchy and positive. The idea is to be a werewolf who tears it up in the mosh pit at Wacken or Hellfest. For the bosses, I developed a type of metal that was more prog\/symphonic, even tribal or industrial, to match the narrative aspect and make it more epic. We use small integration subtleties at times (breaks\/outro during executions). Then, for the infiltration phases, there\u2019s no metal, just electro with saturated guitars, to create a transition. And that\u2019s different depending on the location and the danger.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1-1024x576.png\" alt=\"H-Pi Studio\" class=\"wp-image-15549\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1-1024x576.png 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1-600x338.png 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1-300x169.png 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1-1536x864.png 1536w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-12h00m18s049-1.png 1920w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p style=\"font-size:22px\"><strong>Werewolf: The Apocalypse \u2013 Earthblood est tir\u00e9 d\u2019un jeu de r\u00f4le prenant place dans l\u2019univers World of Darkness. Est-ce un monde avec lequel tu \u00e9tais d\u00e9j\u00e0 familier ? Comment cela a-t-il influenc\u00e9 ta composition ?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">I\u2019d hate to disappoint the fans, but I didn&#8217;t know anything about the WoD universe when I started, but fell in love with it after I was presented with the game\u2019s universe and storyline. I read it through a bunch of times to get a good grasp of the universe of each character and each faction and I trusted the team to point me in the right direction if I was wrong. So I think the fans will be happy with it. I also see a sort of tie-in with the Styx universe for the Goth\/Punk aspect, so it&#8217;s a familiar style. I love the story\u2019s fantastic and dystopic side. And switching between being totally chill and totally violent!<\/p>\n\n\n\n<p style=\"font-size:22px\"><strong>You\u2019ve worked on many video game projects (Styx 1 &amp; 2, Trackmania, Streets of Rage 4). What was your approach to this project compared with your previous compositions?&nbsp;<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">It&#8217;s similar to Styx in a way, because there\u2019s also a lot of infiltration, so there are the same triggering systems, the same level of intensity, with some calm tracks and others that suggest more stress. And also because Gery Montet is still in charge of Sound Design and because of the integration of the music in Wwise.&nbsp; What was different is that I didn&#8217;t record an orchestra or soloists, but I played as many live instruments as I could. With technology, you can work miracles. Basically, it\u2019s a very personal soundtrack.&nbsp;<\/p>\n\n\n\n<p style=\"font-size:17px\">As for process, I started by doing the track \u201cSilver Bullets\u201d and \u201cThe Forest Caern\u201d. The melodies came naturally. So I was able to use them in the other tracks to give the game a leitmotif. I like to compose like that.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-1024x576.jpg\" alt=\"H-Pi Studio - 02\" class=\"wp-image-15553\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-1024x576.jpg 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-600x337.jpg 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-300x169.jpg 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-1536x864.jpg 1536w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/HPi-Pic6-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>253H-Pi in studio for the Styx: Shards of Darkness music recording.<\/figcaption><\/figure><\/div>\n\n\n\n<p style=\"font-size:22px\"><strong>What were your references and influences in composing the music for this game?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">I listened to a lot of music before working on the project. I listened to Alien Weaponry on repeat, so I\u2019d really be in the groove for the metal part. Other than that, I studied riffs from Slipknot, Korn, Machine Head, SoulFly, Hatebreed (Destroy Everything !!!!) for a joyful\/destructive metal feel! Also some Infant Annihilator for the drum breaks. And of course, SOAD, Rammstein, Gojira, Dagoba. And even Ultra Vomit because they\u2019ve got a killer sound! For the other universes, I drew inspiration from a lot of sources, I hope without having accidentally committed cryptomnesia: the soundtracks to Wolverine, Thor, The Dark Knight, Game of Thrones, LOTR, and soundtracks to games like SOMA, Detroit: Become Human, Far Cry Primal, by LORN (on the Furi soundtrack) and even tribal\/zen\/Celtic compilations on YouTube. After all that, YouTube&#8217;s algorithm started giving me really crazy recommendations!&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-1024x1024.jpg\" alt=\"Album Alien Weaponry\" class=\"wp-image-15556\" width=\"450\" height=\"450\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-1024x1024.jpg 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-300x300.jpg 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-100x100.jpg 100w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-600x600.jpg 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-390x390.jpg 390w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-800x800.jpg 800w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/Album-Alien-Weaponry-jpg.webp 1200w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>\u201cT\u016b\u201d Album \u2013 Alien Weaponry<\/figcaption><\/figure><\/div>\n\n\n\n<p style=\"font-size:22px\"><strong>Orchestral, Rock, Casual\/Fun, Electro\u2026 You\u2019ve used many different instruments and many styles in your compositions. Why do you play with so many musical genres?&nbsp;<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">Music is a language and a means of conveying emotion. The instrument\/style is just a way to do this, or to add more nuance. Having said that, there\u2019s a definitely an underlying central theme to my style, which is the groove and the melody. And I\u2019m enjoying working on sound textures as well more and more.&nbsp;<\/p>\n\n\n\n<p style=\"font-size:17px\">But every musical style is are connected anyway, like the Wyrm, the Weaver, and the Wyld (laughs). For example, metal and jazz are styles that styles that emerged from the Detroit blues style, which in its turn comes partly from Africa, mixed with classical European music. Everything is blended. Everything is connected.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520-1024x576.png\" alt=\"Diegeridoo\" class=\"wp-image-15559\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520-1024x576.png 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520-600x338.png 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520-300x169.png 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520-1536x864.png 1536w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/vlcsnap-2021-02-02-14h53m58s520.png 1920w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption>H-Pi &#8211; Didgeridoo recording<\/figcaption><\/figure><\/div>\n\n\n\n<p style=\"font-size:22px\"><strong>The soundtrack also contains two tracks from the New Zealand band Alien Weaponry. Did you work with them and did their style inspire you?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">Yes, I met them briefly at a concert in France, back when we could still work up a sweat and pogo without a mask. I was able to confirm with their sound engineer\/manager\/father, that I had used the right setup to imitate their sound. That was namely a JCM800 super lead-style Marshall head, specifically a DSL 20, direct, without overdrive or toneshaper. We also went out for a quick drink after the concert. I&#8217;m not sure if they remember it, but it was very fun! The other trick I used to imitate their sound is to use a Neve1073-style preamp, and 1176-style compressors.<\/p>\n\n\n\n<p style=\"font-size:22px\"><strong>Finally, do you have any fun stories you can share about this soundtrack?<\/strong><\/p>\n\n\n\n<p style=\"font-size:17px\">Yes! I invented an instrument, the \u201cdidgeriflute\u201d or the \u201clow-D-didgeridoo\u201d, which consists of putting a low-D whistle (Irish flute) in a didgeridoo (laughs). I use it on the track Onawa &amp; Pach&#8217;ua. Otherwise, some tracks, in particular \u201cA Song of Claws and Poison\u201d (the fight against the Red Talons) were recorded by the light of a full moon\u2026 A-woooooooooo!!!!&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/15-Werewolf-1024x576.jpg\" alt=\"Werewolf\" class=\"wp-image-15562\" width=\"450\" height=\"253\" srcset=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/15-Werewolf-1024x576.jpg 1024w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/15-Werewolf-600x338.jpg 600w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/15-Werewolf-300x169.jpg 300w, https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/15-Werewolf-jpg.webp 1457w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/figure><\/div>\n\n\n\n<p>Thanks H-Pi!<\/p>\n\n\n\n<p style=\"font-size:17px\">The original soundtrack to Werewolf: The Apocalypse &#8211; Earthblood is available for pre-order now on Bandcamp: <a href=\"https:\/\/werewolftheapocalypse.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/werewolftheapocalypse.bandcamp.com\/<\/a><\/p>\n\n\n\n<p style=\"font-size:17px\">If you want to learn more about Werewolf: The Apocalypse &#8211; Earthblood&#8217;s soundtrack, follow us on <a href=\"https:\/\/twitter.com\/G4F_Records\">Twitter<\/a>, <a href=\"https:\/\/www.instagram.com\/g4frecords\/\">Instagram<\/a> et <a href=\"https:\/\/www.facebook.com\/g4frecords\">Facebook<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We asked H-Pi a few questions to find out more about his work composing the soundtrack to Werewolf: The Apocalypse &#8211; Earthblood. &#8230;<\/p>\n","protected":false},"author":3,"featured_media":15501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[118],"tags":[],"class_list":["post-15400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Werewolf: The Apocalypse - Earthblood \/ H-Pi Interview - G4F Records<\/title>\n<meta name=\"description\" content=\"We asked H-Pi a few questions to find out more about his work composing the soundtrack to Werewolf: The Apocalypse - Earthblood.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.g4f-records.com\/en\/interview-h-pi-werewolf-the-apocalypse-15400\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Werewolf: The Apocalypse - Earthblood \/ H-Pi Interview - G4F Records\" \/>\n<meta property=\"og:description\" content=\"We asked H-Pi a few questions to find out more about his work composing the soundtrack to Werewolf: The Apocalypse - Earthblood.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.g4f-records.com\/en\/interview-h-pi-werewolf-the-apocalypse-15400\/\" \/>\n<meta property=\"og:site_name\" content=\"G4F Records\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.twitter.com\/G4F_Records\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-02T15:12:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-02T15:13:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.g4f-records.com\/wp-content\/uploads\/2021\/02\/header-ITW.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"850\" \/>\n\t<meta property=\"og:image:height\" content=\"340\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Vincent\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@G4F_Records\" \/>\n<meta name=\"twitter:site\" content=\"@G4F_Records\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Vincent\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.g4f-records.com\\\/en\\\/interview-h-pi-werewolf-the-apocalypse-15400\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.g4f-records.com\\\/en\\\/interview-h-pi-werewolf-the-apocalypse-15400\\\/\"},\"author\":{\"name\":\"Vincent\",\"@id\":\"https:\\\/\\\/www.g4f-records.com\\\/en\\\/#\\\/schema\\\/person\\\/96f18ec3e1a00406480fdf37e6e8688b\"},\"headline\":\"Werewolf: The Apocalypse &#8211; 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